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| Viggo Mortensen e Léa Seydoux |
CRIMES DO FUTURO (CRIMES OF THE FUTURE, UK, 2022) – Neste filme, David Cronenberg propõe uma reflexão sobre os exageros das intervenções cirúgicas, cosméticas ou não. Ele leva ao paroxismo a relação entre arte e corpo humano. Esqueça o roteiro – a história é a própria análise do limite entre vida e arte, no sentido orgânico, literalmente. David Cronenberg proposes a reflexion about the exaggeration of surgeries, cosmetic or not. He leads to paroxysm the link between art and human body. Forget the script – the story is the analysis of the boundaries between life and art, in a organic sense, literally. Enough said of the organ motif, for more organic to Crimes of the Future is the human evolution to dangerous surgery and questionable cosmetics, a world almost devoid of humanity and full of narcissism. While it is a world devoid of pain, it's the interior emotions that seem, like the synthetic organs, vulnerable. MUBI.
