Viggo Mortensen e Léa Seydoux
CRIMES DO FUTURO (CRIMES OF THE FUTURE, UK, 2022) – Neste filme, David Cronenberg propõe uma reflexão sobre os
exageros das intervenções cirúgicas, cosméticas ou não. Ele leva ao paroxismo a
relação entre arte e corpo humano. Esqueça o roteiro – a história é a própria análise do limite
entre vida e arte, no sentido orgânico, literalmente. David Cronenberg proposes
a reflexion about the exaggeration of surgeries, cosmetic or not. He leads to
paroxysm the link between art and human body. Forget the script – the story is
the analysis of the boundaries between life and art, in a organic sense,
literally. Enough said of the organ motif, for
more organic to Crimes of the Future is the human evolution to dangerous
surgery and questionable cosmetics, a world almost devoid of humanity and full
of narcissism. While it is a world devoid of pain, it's the interior emotions
that seem, like the synthetic organs, vulnerable. MUBI.